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A Synopsis of the Official Opening of an Art Therapy Demonstration Center and the Activities of the Third Art Therapy Specialist Seminar

สมจิตร ไกรศรี; เลิศศิริร์ บวรกิตติ; Lertsiri Bovornkitti;
Date: 2551
Abstract
After almost 20 years of effort, the Art Therapy Demonstration Center was established under the Rajanukul Institute, a 48-year-old mental health hospital and academy of the Department of Mental Health, Ministry of Public Health. The date was April 3, 2008 and the occasion was presided over by General Wanchai Ruengtrakul, President of the Rajanukul Foundation, and Dr. Wachira Pengchan, Deputy Director General of the Department of Mental Health, Ministry of Public Health. The co-chairpersons announced the official opening of the “Art Therapy Demonstration Center.” The opening event was followed by the Art Therapy Specialist Seminar on “Art Therapy Roadmap in Thailand”, which was attended by 120 mental health personnel, some art therapists, professional artists and art educators, among others. The seminar comprised two sessions: “Art Therapy in Thailand” and “Art Therapy in the West.” The first speaker, Dr. Udom Petchsangharn, the former director of the Institute, spoke of the value and status of art therapy in Thailand based on the concept of “adjunct therapy” or “essential adjunct therapy,” and the role of “art” in human sociology, and its power in the treatment of the mind. The second speaker, Prof. Punya Vijinthanasarn, an outstanding artist and Dean of the Faculty of Painting, Sculpture and Graphic Arts of Silpakorn University, spoke on the historical development of fine art in association with innersubconscious expression by using extensive examples of Western art works. Prof. Saman Supprasri, Dean of the Faculty of Fine and Applied Arts, Burapha University, gave notes on the role of art education and aesthetical values in relation to the therapeutic approach. Dr. Lertsiri Bovornkitti concluded the session by addressing the role of art therapy and its value, and the characteristics and knowledge that art therapists should formulate, i.e., the two types of art therapy in the West: “Art as Psychotherapy” and “Art as Therapy,” and then summarized a roadmap for art therapy in Thailand. He acted as moderator for two invited speakers, Mr. Jordan Potash from the United States and Ms. Debra Kalmanowitzs from England, who spoke on “Art Therapy in the West.” An example of historical practices associated with traditional and indigenous art therapy was Navajo sand-painting. They also provided background knowledge of art therapy in the West based on the two concepts, art as therapy and art psychotherapy, explicating the three knowledge roots of art therapy, i.e., art, psychology and therapy; and theoretical notions on “witness/witnessing.” The presentation was followed by a question-and-answer session related to the practice of art therapy. The presentations of the two international art therapists provided support for the future development of art therapy in Thailand. For further improvement of the knowledge of Thai art therapy, the authors suggest that a series of art therapy workshops be organized by qualified international art therapists and educators for the Thai art therapy practitioners and those who are interested in this newly developing field.
Copyright ผลงานวิชาการเหล่านี้เป็นลิขสิทธิ์ของสถาบันวิจัยระบบสาธารณสุข หากมีการนำไปใช้อ้างอิง โปรดอ้างถึงสถาบันวิจัยระบบสาธารณสุข ในฐานะเจ้าของลิขสิทธิ์ตามพระราชบัญญัติสงวนลิขสิทธิ์สำหรับการนำงานวิจัยไปใช้ประโยชน์ในเชิงพาณิชย์
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